Drafting, Aesthetics and Amnestesy (From the Body for the Contemporary Architecture)

Abstract

Things show them selfless up through judgments and, outside of the conscious awareness, there is a world of objects. Given this peculiarity of knowing the world, although it seems to be the same for everyone, it shows up differently according to the degree of differentiation achieved in the eye and the degree of concatenation achieved through application of concepts such as the multiplicity ordenador as regularities manifest to the senses. Through the cognitive act underlying the drawing, the architect is within the context of reality because this is not an assumption unattainable, but rather the result of a constitutive dynamic that renews itself every instant. This insertion, this man did not involve only the conceptual content of his consciousness but also knowing how to be yourself.